detroit’s filthiest back on bass agenda.

fourth entry in bass agenda’s transhumanism series.

repress of this club classic from 1999!

repress on white 180 gram vinyl, housed in a generic sleeve.

cool breaks ep

handstamped , recycled papersleeve.. limited to 300

big debut from ancut / incl innershades remix

the long awaited album

repress - surefire heat for fans of the classic detroit techno bass / aux 88 sound.

dj reckless und mc bomber lassen’s zappeln.

90s dnb

detroit’s filthiest and go nuclear spread the bass agenda with 3 tracks each on heavyweight vinyl.

4th volphonie release comes from arnaud le texier, remixed by chris honorat and keith carnal. pressing on solid turquoise vinyl.

the songs trademark sounds are the playful erhu theme, a bansuri flute and a kalimba that create the unique atmosphere of the tune.

nonzero! takes us on a disturbing journey into uncharted electro territory.

drei stücke die perfekt für den morgendlichen dancefloor vibe sind.

high class elektro tracks feat. egyptioan lover

jean pierre, jesse calosso, harvard bass & kid enigma

3rd part in the transhumanism series on bass agenda with tracks from slaves of sinus, rxmode, w1b0 and tfhats. pressing on 180 gram vinyl with download code included.

2019 repress - black vinyl - stickered sleeve

berlin bass collective are back for their 8th full record

the fuck the bass up ep draws on a lot of different influences while sounding fresh and unique at the same time. gospel, hip hop, jazz and house all filter through this five tracker taking you on a journey through vogels record collection

wehbba collaborates with ghetto tech legend dj deeon, to deliver another superlative ep

the other side is back again, and this time bringing you three of romanias finest. the original comes from, faster who has put together a hypnotic and groovy ep which has had dance floors swaying left and right since its inception, with early support coming from the likes of priku, raresh, rhadoo and many more this ep is sure to make some noise. on the flip side, the duo that forms sit a,k.a cristi cons and vlad caia have delivered an incredibly smart interpretation of the lead track presarat cu bass, weaving along to keep you guessing after each bar. welcome to the other side!

franck kartell’s third full length release on bass agenda recordings sees him continuing to do what he has done since he began this creative trajectory of making concept driven albums, pushing himself, his art and your experience as a listener, into new realms.
as with his last album la jette d’orly, this next chapter in kartell’s adventures in creativity is inspired and influenced by the cinematic works and writing of chris marker.
following on from sell out albums afterlife and la jette d’orly the new double vinyl album coincidences immerses you in 12 distinct scenes, painted with sound.
to transport a listener to another plain within seconds is not easy, yet it is something franck kartell achieves here not once but 12 times in a row, sustaining the illusion of escape throughout each track, cradling your mind as it experiences beauty, majesty, fear, darkness, peace and wonder.
supported by thomas h green (the arts desk), dave clarke (including best electro of 2016), timeline music and many more.

cutting edge electronics with the dark, sweaty and serious dance floor in mind.
from the outset w1b0 s mission to carve out his own sound in this era of cut and paste and production shortcuts has led to recognition by genre champions such as rolf mulder and dave clarke, indeed his first formal appearance on physical media was as part of dave clarke’s seminal fabric 60 cd.
the original mix of main squeeze is an electro epic, straight to business with a growling bass line sitting beneath room filling drums combining to lay foundation for a soaring synth invasion. the four remixes see four artists who represent the cream of talent in the many shades of the authentic modern electro genre transforming main squeeze into new dance floor destroying shapes. ranging from borderline industrial breaks from simplicity is beauty to the punchy experimentation of boris divider and from the unmistakeable raw sound and energy of the exaltics to the flawless dark electronics of bs-1.
supported by dave clarke, igloo magazine, technobass.net and more.

dmitry distant’s side of the record sees a journey through abstract soundscapes, hefty dark atmospheric techno and electro, rounded off nicely by a dark funk injected remix from sweden’s obergman. all made live with machines, dmitry’s tracks are the authentic type of electronic music the popular scene would have you forget. no surprise then that his live schedule is taking him across europe including a gig alongside the mighty rude66 and luke eargoggle in berlin.
lectromagnetique takes you on a ride through some edgy, acidic and melancholic broken techno experiences. whilst many seek to portray that cold, sci-fi, and industrial vibe in their music, few get to draw on the experiences of living in the pripyat region on chernobyl’s doorstep. as you listen you can feel and visualise places you would otherwise never dare tread or let your mind wander to.
supported by dave clarke (including best of electro 2016), helena hauff, the black dog, mix mag (album of the month) and more.

b-stock! this is: the revenge of the bass

vintage hardcore styles on new myor label faces of bass

limited edition of 1000 numbered copies on green and black swirled 180 gram vinyl. includes a mini-poster.

supported by laurent garnier, jacques renault, orlando b

this is: the revenge of the bass

starke house platte mit ebenso starken remix künstler wie norman weber und jaw vom dop trio aus frankreich.

freaky old skool 90s infec electro

30th anniversary edition of 1.500 individually numbered copies on blue 180 gram vinyl.
bomb the bass is the alias from the english electronic music producer tim simenon. he released his debut album into the dragon in 1988. it s an intriguing trip through electro, acid-house and hip-hop music. on the album you ll find his breakthrough hit -beat dis-, which became popular in the underground and club circuit. it feels like you re listening to a radio broadcast show, including intro skits in a melting pot of styles. a true classic in the history of using samples in music. bomb the bass were one of the first acts to bring sample-based music and scratching to a mainstream audience.

st. petersburg resident kuzma palkin is a busy guy, having recorded music in the past as audiocad, cylindro, plattformer and many more. under his own name hes contributed to russia s respected gost zvuk label, and now he signs up to the excellent ukranian outpost wicked bass to drop some hypnotic and delightfully dusky club tracks to inject a little spice into a minimal scenario. the release kicks off with windy bass, which shares a little rugged spirit with stls sonic style and love of loose swing, before diving down into the misty waters of fordism 0205. exalted flow has a more detailed arrangement that pushes extra detail, sequence wobbles and fx tweaks onto the drums to make for a dynamic rhythm workout. krisis ekktro completes the set with a blown out electro throwdown that will be gold dust to any self-respecting machine funk deviant.

with the summer season well and truly in full step, mosaic returns with two finely tuned cuts of classic dubbed-out minimalism. a side in the night is a typically understated affair from label boss steve o sullivan under his wise caucasian alias. propelled by a bass-heavy tone and lit by layers of percussion that build on each other you ll find yourself getting lost in the washes of sparse vocals, rhythmic stabs and splashes of delay that reach out over the dance floor. far from providing instant gratification, this requires timely and repeated play to uncover the layers of subtle finesse and craftsmanship: perfect for keeping those feet moving at any hour of the night, or day for that matter. on the b side, steve teams up once again with fellow londoner, frazer campbell on rise which goes straight for the full smile effect as the duo conjure up one of those rare pieces of magic. set to a melee of skippy percussion, high-pitched toms and warmly toned melody, the prophetic voice of maya angelou and her timeless poem still i rise resonates supreme, bringing a touch of thoughtful intelligence thats all too often forgotten. as the track hits it peak, you cant help but feel the deep elation a groove like this brings in the darkest of hours.

fans of electro’s big hitter djs such as helena hauff, dave clarke, umek, maceo plex, and umwelt won’t have escaped the sonic assaults of dutch artist rxmode and his fellow transhumanism collective members, w1b0, slaves of sinus, tfhats.
rxmode’s last ep cerberus was very much the ep he’d been building up to since his debut on bass agenda recordings back in 2015, dark, sinister, heavy, and distinctive.
one of the tracks from that ep, degraded, gets the remix treatment from the other transhumanism members on this, the third vinyl release the collective have put out.

the young dutch dj & producer lewski debuts on darko essers wolfskuil limited series with folkloric human ep presenting four fine electro/techno cuts. the title track opens the ep with a blend of old school electro and distinctly modern techno, featuring rhythmic bouncy beats and a playful built up perfect for the floor, followed by phase mistress, a vintage sounding beauty with captivating bass sequences and plenty of analog flavor. erebus kicks off the b-side with its twisted drive, cyborg samples and sinister attitude that justifies its name been derived from the mythological god of darkness. the atmospheric, detroit flavored decommissioned androids rounds the ep off with tight basslines and relentless analog madness. lewskis debut ep on patron records last year gained support by the likes of ben ufo, dj stingray and umwelt. lewski is part of a select cut of young artists who are absorbing electros legacy, carrying it into the future and with his release on wolfskuil limited we can be sure that the future looks very promising.

the strictly rhythm imprint is legendary and is instantly recognisable by connoisseurs worldwide. it s a label that has contributed time and time again to dance music culture across it s almost 30 year lifespan. countless classics passed through the nyc offices of mark finkelstein and gladys pizarro and this brand new strictly classics series looks to celebrate this cornerstone dance label and it s immense catalogue by going back to the archives and presenting some double-header action for diehard fans and newcomers alike. that s right, the proper mixes, reissued from source and remastered to the highest spec, each track spread across one side of a 12- for optimal sonic playback. the second instalment of this essential repress series sees the amazing bass tone from sole fusion (aka louie vega) take up side a. it s a truly deep slice of that nyc grit that works on every level, the rough with the smooth, trademark vega-isms and those drums! a sure-shot. on the flip is yet another gem - hardrive s just believe which is certainly a knowing nod back to the disco days delivered with gusto by louie vega and the maestro tony humphries. do not sleep on this, over 10 mins of that funk!

the checkup & deeleegenz, legendary belgian production duo, are back with another instant house classic. with multiple traxsource #1 house releases on labels including peppermint jam, toolroom, defected, madhouse, simma black, large, and beef records, the checkup has made his mark with his signature sound that mixes soulful chicago house with uk garage elements. getting a dancefloor banger of a remix from johannes albert, label boss of frank music and co-founder of fine records, this ep is a true dj tool with each track being dance floor ready.

uk bass legends stanton warriors return with their highly-anticipated seventh studio album rebel bass. following the huge lead single loving me wrong, proclaimed game changing by leading tastemakers mixmag, thump and dj mag, we present a 4 track vinyl sampler taken from the lp featuring 3 tracks from the lads and a danny byrd remix of the one formalising this new juncture in the stanton warriors sound rebel bass is full of thumping bass bangers that perfectly showcases the fresh, new sound theyve been busy crafting over the last year and paves the way for an album that draws on their strong garage roots, with infectious, radio-friendly songs sitting comfortably alongside booming club tracks, all underpinned by that inimitable bass sound we ve all come to know and love.

carl finlow and dez williams on a great splitt ep! cool

gifted culture collective kicks off with zinnigheddas jam berlin, first 12” of a series of three releases recorded exclusively during improvised jam sessions. gifted culture wants artists to breath and to represent in music the contemporaneity that surrounds us. gifted culture catches that very moment on tape. this is an itinerant music project, to highlight the context as influence on the artistic process. during the first session two thou, autre, xinner and demo gather together during a sunday night in kreuzberg with an electric bass and a bunch of synthesizers. there they start to tell us how they feel the “now”.